Private banks are banks owned by either an individual or a general partner(s) with limited partner(s). Private banks are not incorporated. In any such case, the creditors can look to both the "entirety of the bank's assets" as well as the entirety of the sole-proprietor's/general-partners' assets.
There were many private banks in Europe, but most have now become incorporated companies, so the term is rarely true any more. Today, the term "private bank" can also refer to the financial institution specializing in financial advice and services for high-net-worth individuals (private banking).
"Private banks" can also refer to non-government owned banks in general, in contrast to government-owned (or nationalized) banks, which were prevalent in communist, socialist and some social democratic states in the 20th century.
Directed by Michel Gondry. It is an adaptation of the short story comic "Cecil and Jordan in New York" by Gabrielle Bell.
Hiroko and Akira (Ayako Fujitani and Ryō Kase) are a young couple from the provinces who arrive in Tokyo with limited funds, short-term lodging and what appears to be a solid and mutually supportive relationship that will seemingly carry them through any challenge. Akira is an aspiring filmmaker whose debut feature will soon screen in the city — and hopefully lead to a more solid career; in the interim, he lands work wrapping gifts at a local department store. After securing short-term housing in the cramped studio apartment of old school chum Akemi (Ayumi Ito) — a career girl with a demanding boyfriend who grows weary of Akemi's houseguests — Hiroko hits the streets of Tokyo in search of a suitable apartment, finding a series of rat-infested hovels that neither she nor Akira can afford on their limited salaries. After Akira's film screens to dubious acclaim, one spectator informs Hiroko of the inherent struggles in relationships between creative types: often, one half of a couple feels invisible, useless, or unappreciated, something Hiroko relates to wholeheartedly in the wake of her numerous trials and tribulations in the unfamiliar city of Tokyo. She starts to question her role in the relationship, resulting in a startling transformation in which she turns into a wooden chair, and is taken in by a young man.